I use video as a way to make complex work more visible, human, and useful. My production work spans scientist profiles, lab tours, public lectures, long-form scientific programming, livestream operations, motion graphics, and 3D experiments, often with a small kit, real deadlines, and very little room for overbuilt production theater.
The work is usually hands-on from end to end: planning the shoot, interviewing subjects, filming, lighting, capturing audio, editing, designing motion elements, supporting live broadcasts, and packaging finished media for web audiences. At its best, the video becomes more than a deliverable. It becomes part of the system that helps an idea travel.
I joined Level 17 as a multi-role media specialist supporting the development and promotion of The Ladon Device, a story-driven shoot-em-up, exploration, and crafting game. The work blended gameplay capture, team profile videos, 3D asset support, motion graphics, and a media-focused web presence around the project.
Project Details
A scientist profile filmed at Georgia Tech, this piece highlighted Manu Platt’s work in biomedical engineering, sickle cell anemia research, and diversity in the life sciences. The goal was to make the science personal without making it simplistic: a portrait of the researcher, the research environment, and the larger human stakes behind the work.
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Filmed on location at the University of Colorado Boulder, these public lectures brought major scientific topics to broader community audiences. The production challenge was to preserve the substance of the talks while making the recordings accessible, polished, and useful beyond the room.
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Filmed on location at Makerere University in Kampala, Uganda, this lab tour series highlighted LMIC student-scientists and active research environments with a small portable kit and no advance location scout. It remains one of the most rewarding projects in this body of work because the setting, the people, and the purpose all mattered.
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